Brain Mystery Light and Dark: The Rhythm and Harmony of by Charles Don Keyes

By Charles Don Keyes

Brain secret gentle and Dark examines medical types of the way the mind turns into wide awake and argues that the religious size of existence is suitable with the most medical theories. Keyes indicates us that the assumption within the solidarity of brain and mind doesn't unavoidably undermine aesthetic, spiritual, and moral ideals.

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Self-instantiating information is “distinct from its physical embodiment at any point in the organism’s duration, even though it cannot exist without embodiment in the appropriate kind of physical system” (Cooney 1992:2). At the same time, it does not emerge from the brain, as a variety of “property dualists” claim, but remains integral to the brain/mind unity throughout the entire process. Cooney has Daniel Dennett’s center of narrative gravity in mind when he refers to the narrative effect of selfinstantiation: “Human personal existence has a narrative structure, a beginning, middle, and end, ‘not merely’ a repetitive acting out of instinctive repertoires” (Cooney 1992:2).

Mark and Ervin 1970:24) Crocodile Man, a book by Andre Mayer and Michael Wheeler (1982), reports how this neurological model of human violence was instrumental in the acquittal of a man who tried to murder two girls. During the 1970s, some likened the human condition to riding a wild animal, and others wanted to drug the beast within us. ” As a result, “Homo Sapiens is two beings in one, beast and part man, and his destiny hangs on the outcome of the continual battle which they wage for the mastery of his life” (Durant 1981:21–2).

Maclean 1990:562) This means that the neurobiological roots of beneficence, as well as destructiveness, are pre-neocortical. The biological origins of ethics are earlier than the human species, if Maclean is right; but we could also use the same hypothesis to help clarify the evolutionary origins of aesthetics as well as ethics. Reptilian behavioral sequences are a Beasts within 29 kind of non-auditory primal musical rhythm and harmony, while play and a wide range of limbic feelings, including conviction, are essential to human musical expression.

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