Color: An Introduction to Practice and Principles, Second by KUEHNI


Content material:
Chapter 1 assets of colour (pages 1–16):
Chapter 2 what's colour and the way Did We Come to adventure It? (pages 17–25):
Chapter three From mild to paint (pages 26–36):
Chapter four colour notion: Phenomena (pages 37–52):
Chapter five Orderly preparations of colour (pages 53–77):
Chapter 6 Defining the colour Stimulus (pages 78–92):
Chapter 7 Calculating colour (pages 93–105):
Chapter eight Colorants and Their mix (pages 106–118):
Chapter nine colour copy (pages 119–129):
Chapter 10 the net of colour (pages 130–147):
Chapter eleven colour (Theory) in artwork (pages 148–160):
Chapter 12 concord of colours (pages 161–170):

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Additional info for Color: An Introduction to Practice and Principles, Second Edition

Sample text

Figure also appears in color figure section. cls T1: IML October 6, 2004 20:1 COLOR PERCEPTION: PHENOMENA For technical applications, such as color control in goods production, metric lightness is calculated from luminous reflectance (see Chapter 6). Helmholtz–Kohlrausch Effect At least since the mid-nineteenth century it has been noted that stimuli resulting in chromatic color perceptions require a lower luminance or luminous reflectance to appear to be equally bright or light than stimuli resulting in achromatic perceptions.

Brightness is related in a complex fashion to the level of photon flow, hue to the relative content of given wavelengths in the total flow, and saturation is a measure of the degree of dilution of spectral lights with white light. Of more practical importance are related colors, seen in the object mode. They are the colors we experience when looking at objects of any kind in more or less natural surroundings. Viewing conditions may be entirely natural such as we experience on an outing into the woods, mountains, or even a desert.

At that time most of the Western world was connected into a huge continent geologists named Pangaea. In the Tertiary period tectonic activity began to split Pangaea into pieces that drifted apart. Important for our story is the splitting of the South American from the African continent. As a result of this split, all but one of the monkey species of the New World have two cones, while in the Old World (specifically Africa), some 35 MYA, evolving primates developed a trichromatic system with three cone types.

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